Nolan-Coded Homer or: Don’t Be A Hero, It’s Not Worth It
Written by D.S. Foster Edited by J. Nagle Cinema as a singular event… Christopher Nolan, Hollywood’s most dependable manufacturer of prestige-slop, should have exhausted his commercial mythology by now. Following the theatrical coronation of The Dark Knight, the Oscar benediction of Oppenheimer, the “Barbenheimer” evangelization of moviegoing into social-media crusades, and of course, the sacrament […]