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Written by D.S. Foster Edited by J. Nagle Cinema as a singular event… Christopher Nolan, Hollywood’s most dependable manufacturer of prestige-slop, should have exhausted his commercial mythology by now. Following the theatrical coronation of The Dark Knight, the Oscar benediction of Oppenheimer, the “Barbenheimer” evangelization of moviegoing into social-media crusades, and of course, the sacrament […]

On July 21st, two movies will release in theaters that, alongside each other, have caught the attention of moviegoers worldwide: Oppenheimer and Barbie. One film grapples with existentialism and the alertness of death; what it means to be human in a world where its true darkness is hidden to the naked eye. The other film […]

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