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If you went into Nathan Fielder and Lance Oppenheim’s new film You Can See Everything expecting a classical look into the downfall of Elizabeth Holmes’ Theranos, you’re out of your mind. The presence of Fielder in any production is felt in a way no other creative can match, but Lance Oppenheim’s sense of picture in […]
Last night, AMC presented the first wide screening of Tuner under their Screen Unseen banner. First screened at festivals last year, the film starts Leo Woodall as Niki White, a professional piano tuner with a hearing impairment. When his intricate and curious nature leads him into learning safe-cracking, he finds his life’s constants spiraling as […]
By George Robbins [usr 3.5] This film review for ‘Motherless Brooklyn’ may contain minor spoilers, but no plot spoilers. The film itself is shot in a noir style, and plays heavily off of that. Edward Norton gives the film a good focal point to keep up with. However, following one character in a film like […]
By George Robbins [usr 4.5] This film review for ‘Pulp Fiction’ is more of a review for almost all Tarantino films. I have been in love with his films for years. The way that he has his scenes play out, the drama, the humor, and the tension. That is part of the reason why I […]